#fuck it TWO system tags

[poolboyservice]

I finally get the confidence to post this 😢

my ass really did work over 4 hours just to use this as my Simplyplural pfp

4 hours and 10 minutes to be exact 😨 I didn't even do over 2 1/2 hours for the clown drawing WHATAAHAT

reference photo under cut because for some reason I cannot draw specifically Party Poison for some reason let alone myself, so I ended up gaslighting my brain into thinking I was drawing Gerard

Also putting this in the post itself instead of tags: I AM FINE IF YOU TREAT THIS AS PARTY POISON FANART, go wild, I do not care, I have better things to worry about. However, having said that, please don't treat me like you would Party Poison or any fictional character, I'm not my source and am a real person with my own boundaries. thx >_<

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[the-kestrels-feather]

This debate is proving that we need a maximum age a person wanting to run for president can be and it needs to be like. 55, 60 at the absolute MAX.

EDITING TO ADD: I keep getting people re logging this saying "no make it like 70 or whatever, my (insert family members here) is in their 70s/80s/90s and they function better than these two!" Okay, cool. But I'm suggesting 55-60 as the limit to keep people who function like these two OUT of the White House I do not care if your great grandma is in her 90s and fully functional, I care that these two are going in to their 80s and clearly not, and that there are SO many other politicians who also aren't.

[your-worst-boy]

from goodshirts

[marigoldbaker]

this COULD just be me & i accept that but i feel like jaheira is probably really good with little kids, except in that super hyperspecific way where she treats them exactly the same way that she treats adults and they pick up on that and are delighted by it. she’s like is it sensible to start eating bugs off the ground? :/ what kind of nutritional value will an all bug diet have? eat an apple or you will die on the road. local six year olds love her so so much.

[j-1-nx]

I'm sure it's no surprise to anyone that I hate Caitvi with a passion, however. The people on tiktok talking about how "Catradora walked so Caitvi could run" don't realize that mine and Vi's relationship and story is more similar to Catra and Adora than her and Caitler's ever was- only difference is that we're sisters and not romantically involved.

Also Catradora ran so Caitvi could trip and fall down a well, but that's an opinion so

[figofswords]

wow I didn’t think reblogging that tea post and then seeing people’s tags would deal me such strong psychic damage. come over I can fix you I can find a tea you will like. “I don’t like tea” how can you say that as a blanket statement when there are so many vastly different kinds of tea. head in hands

[icyfox17]

I need ranboo and Charlie to double down on the joke actually. Can they make an MLP Minecraft mod and have Charlie just YEET the shit outta ppl? Please? As a treat for me?

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[spiderwebbd]

Hello PHIGHTING fandom please accept this peace offering in exchange for letting me in your humble community

Alt version of boombox below :]

[sadaveniren]

Can you explain “All along confirming baby larrie” I’ve been out of the fandom a while so 👀 I tried searching baby larrie on your blog but didn’t get anything

ty in advance <33

All Along is an unreleased song from Walls/pop Louis era that has the line “we saw Ed in Manchester/I held you while he played”

Ed refers to Ed Sheeran and quite famously Louis went to see Ed in Manchester… with Harry. Bonus points to this post talking about Louis playing Lego House during his concert after Harry’s House came out. Love that

[skrunksthatwunk]

aurghhh ok still rewatching '97 and the way guts and casca only have the room to breathe and really come to understand and care for each other in griffith's absence because he has such a strong hold over them both.... and the way their mutual dedication to him is what causes them to bicker for years (casca thinks he's not serving him well enough, guts thinks she doesn't get that he cares/how much he cares, casca's jealousy over griffith's feelings for guts, how he won his heart without even trying or being aware of it or doing anything with it) and is also a big part of what brings them together (earlier when guts deviates from the plan to save griffith and she commends him, in the cave casca opening up about griffith and her's past, showing that vulnerability, while it's mostly confrontational, leads to guts kinda getting her better, and his efforts to save and protect her (falling off the cliff with her, taking on the 100 men so she can escape, encouraging her to return to griffith so she can help him because it's what she feels she's meant to do (her dream, the direction in life guts shares and yet is questioning because of griffith's speech at the fountain, whether or not it's enough to serve him if it means he'll never be a true friend in griffith's eyes because he's not an equal), supporting the idea of her being with griffith/being his most important person like he won't because he doesn't view it as a competition like she has been since day one) leading to her realizing that he's kind of not that bad a guy and they have a lot more in common that she thought. and how the bonfire of dreams conversation is guts opening up to her in kind, the answer to her talking about how griffith saved her, how she feels. how neither of them ever call it love but it's something they know they both have for griffith. how it's something they're beginning to have for each other, different in ways they couldn't put a word to. because they're equals this time. the way griffith kind of becomes less and less important as they find other reasons to live and fight, as they become less singularly obsessed with him. how griffith is unable to stand it, guts' personhood, that agency and peer-to-peer equality he claimed to want (and perhaps truly did) that disappeared guts from his life, his plans, his side. how it barely even matters to griffith how casca changes because he never wanted her like she wanted him. god i can't fucking stand their shakespearean nonsense drama (<- hopelessly in love with their interpersonal dynamics)

[aropride]

added my system blog to my pinned with my main url for the first time in 9 months 🫡 whther it will stay there very long remains to be seen

[0809sysblings]

holy shit its been over a month. oopsies! :3

i have not been keeping up with anything. did kotoko say anything interesting or new in her interro question answers.

i did see tho that they lowered amane's grade in the minigram adaption of that timeline convo between her and kotoko :(... why... let my girl have one win... let her rest...